Highlights including a boosted Nordic presence | Trending Viral hub


Exploits, inspirational episodes and a great show of strength for Nordic animation are just three of the many reasons that underline this year’s edition. cartoon moviewhich will be held from March 5 to 7 in Bordeaux.

For the 26th of this yearth This year, the European animation sector’s premier co-production and presentation forum will highlight 55 projects overall and welcome more than 800 industry delegates, many of whom will be making inaugural visits.

With 22 new studios and producers along with representatives from 42 sales companies and 76 distributors, the excellent attendance sheet also reflects the growing importance of the animated film in sales charts and in the organization of festivals, a fact that was made echo the programmers of the Cannes Directors’ Fortnight who are now attending for the first time.

Near-finished titles like Kristina Dufková’s stop-motion teen cartoon “Living Large” and the Christmas adventure “SuperKlaus” will be shown as previews, while Italian auteur Alessandro Rak (“Cinderella the Cat”) will present his latest project, “The The Little Prince of Shangri-La”, as a conceptual presentation.

The Bordeaux show will also offer a first look at the highly anticipated “Into the Wonderwoods” by Alexis Ducord and Vincent Parronaud, although the bulk of this year’s selection (representing 34 titles in total) will fall on In Devolvement titles, which They offer what could be seen as another industry benchmark.

‘Towards the wonderful forest’
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“There has been a huge creative boom,” says the general director of Cartoon Movie annick maes. “In the years after the pandemic, most people were finishing what was already on the table, what was already in production. “They weren’t creating much new material, and now we have this big push (to make up the difference).”

According to Maes, stories of adventure and perseverance in the face of harsh climatic conditions are some of the key thematic lines that link many selected projects.

Adapted from an acclaimed psychological thriller set in the Alaskan wilderness, “The Wild Inside” reunites “Summit of the Gods” director Patrick Imbert with producer Damien Brunner (Folivari) for a skewed youth drama about the majority. old with a supernatural twist, while filmmaker Alain Ughetto (“No Dogs or Italians Allowed”) will present “Rose and the Marmots,” a stop-motion fable about a 12-year-old girl and her blind grandfather who live on a land relentless mountainous.

Meanwhile, works like “The Line” and “The Great North Adventure” draw adventures from the pages of history. Directed by Philippe Rolland and produced by Nicolas de Rosanbo (Eddy Cinema), the 2D biopic “The Line” follows the path of French aviation pioneer Jean Mermoz, as Denmark’s Rocket Road Pictures partners with Kuntz Animation for the 17thth 19th century exploration drama “The Great Northern Adventure.”

‘The Polar Bear Prince’
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In fact, this last title is one of the nine Nordic feature films presented this year: a marked step forward compared to previous editions and a figure that Maes connects in part with the Nordic prominence of Cartoon Movie in 2022. (Even more interesting Only Norway has a leading film will deliver four projects, including “Pesta” led by Mikrofilm; “Kaja the Great” by Storm Films; “Finding Home” by Trollfilm; and “The Polar Bear Prince” by Maipo Film. )

“People come who had not dared before,” says Maes, who points out similar results with previous outbreaks in Spain and Ukraine. “Our focuses not only promote (particular) industries and their financing systems, but we also try to attract new talent. And then a year or two later, we can often detect a (measurable) increase in projects.”

Instead of focusing on one country, and in line with a dominant trend that sees almost 25% of this year’s selection adapted from pre-existing books and IP, Cartoon Movie will now turn its attention to the publishing world, welcoming to delegations from both the literary and video game sectors. worlds as part of a broader effort to turn Cartoon Movie into a transmedia market.

“It’s time to get back to business,” Maes says. “And hopefully ensure better sales of European animation around the world. (That’s why I say) stay encouraged and stay alert.”


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