Jamie Foxx plans to share details of his medical emergency | Trending Viral hub


Whenever Jamie Foxx approaches the microphone, one can expect to be entertained.

And that’s precisely what the Oscar- and Grammy-winning superstar plans to do when she goes on tour to discuss the circumstances surrounding her sudden hospitalization nearly a year ago.

On Sunday afternoon, Foxx treated attendees to the African American Film Critics Association (AAFCA) At the Special Achievement Awards luncheon, a preview of the tone of that material, a mix of sincere reflection with some top-notch wisecracks, as he accepted the AAFCA Producers Award alongside his Foxxhole Productions partner, Datari Turner.

2023 was a big year for the company thanks to the back-to-back successes of Netflix’s “They Cloned Tyrone” and Amazon’s “The Burial.” But while Foxxhole’s movies topped streaming charts, Foxx was fighting for his life after suffering a medical emergency, the nature of which has not been revealed.

“Everyone wants to know what happened and I’m going to tell them what happened. But I have to do it my way,” Foxx said. “I will do it in a fun way. We will be on stage. “We’re going to go back to the roots of stand-up.”

“It’s going to be called ‘What Happened’ and it’s going to have all the things that happened, especially on our side of our community,” he said, joking about online rumors about “Jamie Foxx” sightings after his hospitalization. It was not, in fact, him. “I got out of the car to save this black woman’s purse,” he recalled. “That’s not a fucking Jamie, he’s a clone.” (Spoiler alert: it was him.)

Last December, Foxx made his first public appearance at the Critics Choice Association’s special celebration of Black, Latinx and AAPI achievements, where she surprised guests by taking the stage to accept the Vanguard Award. Then in January, she reunited with Cameron Diaz on the set of “Back in Action,” alongside Cameron Diaz and will return as co-host. Fox’s “Beat Shazam” with his daughter Corinne Foxx. And on Sunday afternoon, he and Turner appeared alongside other honorees — filmmaker Deon Taylor, choreographer Fatima Robinson, the creative team behind “Killers of the Flower Moon” and the family of late social justice activist Michael Latt ) at the invite-only luncheon. Held at the Los Angeles Athletic Club in downtown Los Angeles.

After what he’s been through over the past year, Foxx said he sees life differently.

“I am very grateful. And I just get excited. Because it was really… it’s beyond reach. Appreciate life. “I have some people in my life that really made sure I was here because I was in dire straits,” Foxx said, making a joke that he was almost here. also grateful for everything nowadays (or at least his daughter thinks so). “I was drinking some water and I thought, ‘Wow, do you taste this water?’ It’s so wet. This is the wettest water’ (and she replied:) ‘Dad, you have to relax.’”

Foxx appeared to be back in top form at the event, riling up the crowd long before it was time to accept his award. From his seat in the center of the ballroom, Foxx urged host Tyrese Gibson to sing a few bars of Sam Cooke’s “A Change Is Gonna Come.” On stage, Foxx explained that he had pushed for the serenade to be improvised because “you just don’t know” what tomorrow will bring and his recent experiences have also changed the way he views the entertainment business.

“We should be very excited to be in this business of playing fantasy, at the highest level,” Foxx said. “But it’s still those moments where you stood in front of the mirror and acted like you were Billy Dee Williams. … Now that we’re here, it seems bigger than it really is because there are so many things that go along with it. But deep down, it’s us (playing) make-believe, putting smiles on people’s faces, and it’s our art. And art is subjective.”

Of course, the stakes are higher for Black creatives, and Foxx shares how he learned to navigate the business while working on “In Living Color” with Keenan Ivory Wayans.

“I learned that black could be great,” he said, explaining the impact seeing an all-black creative team, from writing staff to craft services, had on him while creating “The Jamie Foxx Show.”

Additionally, throughout his career, Foxx has learned how imperative it is to highlight that excellence, and he shared that during the Oscar campaign for “Ray,” there were conversations about whether he was saying too much “black” in his acceptance speeches.

His response: “We’ll call it a black story. Not just because he is black. They are business. If this black story wins the Oscar, what effect will it have on the next black story that comes out?

That’s also the purpose of events like the 7th Annual AAFCA Luncheon and the 15th Annual AAFCA Awards, which took place just 12 days earlier, both honoring artists, filmmakers, activists, innovators and coalition builders and highlighting black excellence in the arts.

He AAFCA Awards – held Feb. 21 at the Beverly Wilshire Hotel in Beverly Hills – celebrated the best films of the year, with Cord Jefferson’s “American Fiction” and the Oprah Winfrey-produced musical reinvention of “The Color Purple” leading with four wins each , including prizes. for best film and best musical, respectively. Ava DuVernay“Origin” took home three trophies.

Individual winners also included Colman Domingo (actor), Aunjanue Ellis-Taylor (actress), Sterling K. Brown (supporting actor), Da’Vine Joy Randolph and Danielle Brooks (in a tie for supporting actress), Lily Gladstone (featured performance) and Jefferson (emerging filmmaker), while Misty Copeland, George C. Wolfe and Jeffrey Wright accepted special honors.

The ceremony marked a particularly welcome salute to “Origin,” the masterful adaptation of Isabel Wilkerson’s Pulitzer Prize-winning book, “Caste: The Origins of Our Discontent,” which had flown under the radar this awards season. But DuVernay took advantage of her moment in the spotlight to praise the trailblazers who presented her with the trophies: Debbie Allen and Suzanne de Passe.

“Because she’s done all these other things, we forget that this woman is one of the forefathers of black directors, especially black female directors. “She did it first, with bravery, boldness and beauty,” DuVernay said of Allen, before listing her credits, including “Grey’s Anatomy,” “Fame” and 86 episodes of “A Different World,” which had been particularly formative for the DuVernay dreams. . The same was true for de Passe, who was nominated for an Oscar for the screenplay of “Lady Sings the Blues,” among her long list of accomplishments.

By having those women present her with their awards, a torch was passed and the cycle of progress moved forward for black artists.

It’s basically what Foxx would describe in her speech a couple of weeks later, but DuVernay also effectively summed it up in her comments: “’Origin’ is about a simple idea that everyone matters. What we think and believe matters. Everything we do and say matters. Everything we don’t do matters. The film was about resistance and triumph. So let’s continue resisting so we can succeed.”

More interior photos from both award ceremonies below:

“Origin” filmmaker Ava DuVernay poses with Debbie Allen after accepting the AAFCA best director award on Feb. 21.
Tommaso Boddi for Variety

“The After” star David Oyelowo surprises AAFCA’s Debbie Allen, Ava DuVernay and Gil Robertson IV on the red carpet.
Tommaso Boddi for Variety

Ryan Michelle Bathé and Best Supporting Actor winner Sterling K. Brown (“American Fiction”) pose inside the ballroom with the supporting actress honoree (and brown’s cousin!), “The Color Purple” star Danielle Brooks.
Tommaso Boddi for Variety

Jessica Betts and “Origin” star Niecy Nash-Betts smile and shine at dinner.
Tommaso Boddi for Variety

Best Actor winner Colman Domingo (“Rustin”) poses in style with host Ruth Negga.
Emma McIntyre/Getty Images

“Rustin” director George C. Wolfe smiles before accepting the AAFCA Legacy Award.
Emma McIntyre/Getty Images

Legend Award winner Jeffrey Wright (“American Fiction”) poses with rising star Kelvin Harrison Jr., who have played Dr. Martin Luther King Jr. and Jean-Michel Basquiat.
Tommaso Boddi for Variety

Ballet dancer-turned-producer Misty Copeland poses with choreographer Fatima Robinson (“The Color Purple”), who presented her with the Innovator Award.
Tommaso Boddi for Variety

Lily Gladstone of “Killers of the Flower Moon” accepts the award for breakthrough performer.
Tommaso Boddi for Variety

Andra Day presents the best supporting actress award to her “The United States vs.” co-star. Billie Holiday,” Da’Vine Joy Randolph (“The Holdovers”).
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AAFCA Producers Award winners Jamie Foxx (center) and Datari Turner (far right) of Foxxhole Productions pose with presenters Courtney B. Vance, Nia Long and Jurnee Smollett at the special Achievement Awards Luncheon on March 3.
Gilbert Flowers for Varieties

Horizon Award-winning filmmaker Deon Taylor (center) poses with host Hilary Swank and AAFCA’s Gil Robertson IV.
Gilbert Flowers for Varieties

Fatima Robinson accepts the Salute to Excellence Award.
Gilbert Flowers for Varieties

Meagan Good and Jonathan Majors attend the luncheon.
Gilbert Flowers for Varieties

Host Tyrese Gibson takes the stage.
Gilbert Flowers for Varieties

Kat Kramer, Karen Sharpe and Jennifer Kramer present the Kramer Award for Social Justice to the filmmakers of “Killers of the Flower Moon.”
Gilbert Flowers for Varieties

Delta Airlines’ Ekrem Dimbiloglu and Catherine McDaniel pose with the Film Advocate Award.
Gilbert Flowers for Varieties


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