Klubb Super 8 Reveals Film Restoration Efforts


Swedish niche film specialist Klubb Super 8 and its global streaming platform sister company cult photo have launched a restoration initiative to “preserve the diverse film heritage that has shaped Swedish cinema in all genres.”

Swedish cinema and restoration efforts in the country are the focus at the Lumière Festival’s International Classic Film Market (MIFC) this year.

In collaboration with major international institutions, Klubb Super 8 has carried out extensive restoration work on a variety of films under its rights.

He is working with the British Film Institute (BFI) on the revered classic “Champagne Rose is Dead” (1970) and the Swedish Film Institute (SFI) on cinematic treasures such as “Anita – Swedish Nymphet” (1973), starring Christina Lindberg. and Stellan Skarsgård; “The Lustful Vicar” (1970); “The Language of Love” (1969) and “Terror in the Midnight Sun” (1959).

The SFI also provides essential assistance to Klubb Super 8 in the restoration of three films by the famous Swedish actor and director Per Oscarsson, including the experimental “Ebon Lundin” (1973), Calvin Floyd’s version of Mary Shelley’s gothic classic ” “Victor Frankenstein.” (1977) and Arne Mattsson’s 1962 proto-Giallo thriller “The Doll” (“Vaxdockan”).

Also playing a crucial role is the American Genre Film Archive, which has partnered with Klubb Super 8 to revive Joe Sarno’s 1972 erotic drama “Young Playthings.”

Next year, the SFI and the Klubb Super 8 will premiere Arne Ragneborn’s “Farlig frihet” (1954), a film about juvenile delinquency by one of Sweden’s most promising directors, crushed by the country’s censorship system.

Rickard Gramfors, co-founder and CEO of Klubb Super 8, emphasizes the importance of restoring films beyond the scope of the works of prestigious directors such as Ingmar Bergman.

“While Bergman’s legacy is undeniably significant, it is crucial to recognize and preserve the diverse cinematic heritage that has shaped Swedish cinema in all genres. “Our collaboration with esteemed institutions underscores this commitment to an inclusive film restoration effort.”

At the Lumière Festival, Gramfors was a featured panelist at the MIFC. Taking part in the event’s roundtable, he joined other industry experts Danial Brännström, director of access, rights and distribution at SFI; Agneta Perman, director of procurement at SVT International; and film historian, archivist and restorer Camille Blot-Wellens for a deep dive into the current issues of heritage cinema in Sweden.

Highlighting Klubb Super 8’s dedication to film restoration and its “commitment to preserving the rich tapestry of Swedish film heritage,” Gramfors said: “The Lumière Film Festival Classic Film Market provides a fitting platform to celebrate these notable achievements and “underscore the importance of a diverse cinematographic legacy.”

Courtesy of Klubb Super 8

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