Osage Nation Congress Passes Bills Supporting Lily Gladstone and Scott George | Trending Viral hub

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Indigenous stories are not always told with the care, nuance and authenticity they deserve in Hollywood, and in most cases, their stories are not told at all.

While “Flower Moon Killers” has certainly sparked a discourse within indigenous communities about who should tell what stories, the Osage Nation Congress has unanimously endorsed the creative contributions that lily gladstone and Scott George made to film. The tribal governing body recently passed bills expressing support for its role in Martin Scorsese’s historical epic. Signed by all 12 members of the legislative branch, the bills became law on February 2.

Scorsese’s film is based on the murder spree that targeted the Osage Nation of Oklahoma in the early 20th century, which was carried out with the intention of stealing the community’s oil wealth. Gladstone and George are nominated for Academy Awards for best actress and best original song, respectively. Starring alongside Leonardo DiCaprio, Gladstone plays Mollie Burkhart, the Osage wife of a man involved in the violent plot. Meanwhile, George, who is Osage, composed the song “Wahzhazhe (A Song For My People).”

“We are proud to stand with Lily, Scott and those who worked tirelessly to tell our story with respect, care and authenticity,” said Congresswoman Pamela Shaw. “It’s important for people to know they have our support.”

“Killers of the Flower Moon” consulting producer and Osage Nation ambassador Chad Renfro spoke with Variety about the importance of the film and his experience working on it.

Renfro doesn’t come from the film industry (he’s an interior designer), but he is of Osage descent and sought out a role in “Killers of the Flower Moon” when he heard the rights had been sold.

“I reached out to the people at Imperative Entertainment through a contact I had and just said, ‘I’m Osage. You have to come and talk to us. In fact, this will be a story about us, regardless of whether it is told from the FBI’s perspective or from our perspective. We have a lot of resources and a lot of reasons,’” ​​he said.

Renfro continued: “So I was very intent on (doing) everything I could to make sure that the voices of our Osage people were heard. And that was my conviction. For about three years I worked on this with no idea what was going to happen for me or any of us, except that I knew I could go in and push some buttons.”

His work included creating a team of consultants for all different aspects of the production. He also helped bridge cultures and overcome Covid obstacles.

“But I focused primarily on the incredible amount of nuance it takes to work with people who are worlds apart, in terms of corporate structure, in terms of daily life,” he said.

He also noted the contributions of the elderly Johnny Williams, who died after the production wrapped but “was a huge driving force on the set every day” as he collaborated with Scorsese’s crew, actors and consultants.

Renfro also highlighted what audiences can learn from watching “Killers of the Flower Moon”: “People can learn that there is a system within the federal government based on many Native nations. They can learn that good always seems to somehow outweigh evil. They can learn that many of the things that were perpetrated against the Osage are still perpetrated today. Many of the laws and regulations in place have not changed in 100 years.”

Renfro spoke of his community’s reaction when they learned of Gladstone and George’s Oscar nominations and acknowledged that many Osage people did not expect the level of recognition the film received.

“You can feel the sigh of relief. In a place where we really had the most agency, meaning a Native American woman to look up to, in fact, our own language and our own music, our song and our own people were really at the forefront of being nominated and recognized. there was a little breath of wind that just rose underneath the whole thing… That now there are all these people absolutely supporting this where, again, we started the conversation with trepidation.”

And what should happen next for Indigenous storytelling in Hollywood?

“I think that staying in a genre where it’s really just Native American stories doesn’t suit everyone like it would if we were just included at every level and could bring our experience, our knowledge and the way we live integral: the way we respect each other, we respect the land, we respect the things that come inherently with our culture.”

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